About the Film
Sheila White, 58, dreams of becoming a photojournalist and escaping her life of homelessness. Yearning to make this change, she studies at a local university while completing homework late into the night at the women’s shelter. As a reporter at Street Sense newspaper, Sheila and her reporting partner Reggie cover the story of DC’s “Tent City.” Along the way, they meet a charismatic tent resident named Mike who, much like Sheila, longs for a life outside the underpass. As the city moves to shut down Mike’s encampment, their journeys are threatened by the COVID-19 pandemic, with unexpected results. Street Reporter is a deeply intimate, character-based film produced with community collaborators that provides a window into the power of community journalism in one woman’s life, casting a vision of the re-humanizing effects of life’s most basic need: a place to call home.

What Critics Are Saying
“Hinson constructs a wholly authentic, moving, and optimistic portrait of perseverance. Furthermore, this sensitive documentary draws much-needed attention to homelessness and the importance of independent journalism.”
“Advocacy, investigative and ethnographic journalism are fused transcendently in this 26-minute film short packing the wallop of those full length, five-star documentary films … Director Laura Waters Hinson’s STREET REPORTER is a captivating documentary,”
“There are no quick or easy answers in Street Reporter, just more troubling questions raised in Hinson’s realistic and unabashedly empathetic film. At just 27 minutes, the film sends a powerful message and presents a formidable challenge to those who watch it.”
“A heartwarming and positive short film…A powerful journey takes place before our eyes here.”
Director Laura Waters Hinson and producer Bryan Bello's docufilm has been presented with a wonderful touch of sensitivity, sincerity, and humanity.”
Film News
Film Review on Oscar Qualifying Street Reporter, OneFilmFan, November 12, 2022
Street Reporter qualifies for the 95th Academy Awards, October 26, 2022
Film Review, Film Business, by Sonia McCloud, October 2022
Film Review, Exposure, by Kerrie Portman, October 20, 2022
Film Review, The Word, by Greggory Morris, October 3, 2022
Interview with Laura Waters Hinson, Close-Up Culture, by James Prestridge, September 29, 2022
Film Review, Film Threat, by Andrew Stover, September 26, 2022
Film Review, U.S Knews Media, September 26, 2022
Film Review, OrcaSound, By Carey, September 24, 2022
Interview with Laura Waters Hinson, Just Celebrity Magazine, by Jamie Richardson, September 23, 2022
Interview with Laura Waters Hinson, Film and TV Now, by John Higgins, September 22, 2022
Film Review, Times Weekly Chicago, by Dwight Casimere, September 19, 2022
Film Review, American University, September 19, 2022
Film Review, Brit Flix, September 19, 2022
Film Article, Indie Activity, August 2022
Street Reporter wins Best Short Documentary Award at the Annapolis Film Festival, April 2022
Street Reporter premieres in Montana at Big Sky Documentary Film Festival, February 2022
View an article about our D.C. premiere at Metrobar 2021
Street Reporter wins Audience Choice for Documentary Short at Austin Film Festival, October 2021
Street Reporter premieres at St. Louis International Film Festival, November 2021
Street Reporter wins Audience Choice at Heartland Film Festival, October 2021
Zoom Interview with Laura Waters Hinson, TV Grapevine, by Sammi Turano, 2020


DC Metrobar Premiere

DC Metrobar Premiere

DC Metrobar Premiere

DC Metrobar Premiere

Original Thinkers Festival in Telluride, CO
Original Thinkers Festival in Telluride, CO
Sheila in Telluride for Original Thinkers Festival
Original Thinkers Festival in Telluride, CO
DC Shorts Film Festival
DC Shorts Film Festival
DC Shorts Film Festival

Washington West Film Festival

Washington West Film Festival

Washington West Film Festival

Washington West Film Festival
Director’s Statement
As a director, this film is an outgrowth of my life as a DC resident and the work that I do as a film professor at American University. Having lived in DC for nearly two decades, I have witnessed the homelessness crisis expand around me as the city became one of the fastest gentrifying cities in the nation. At AU, I direct a project called the Community Voice Lab, which produces documentaries that capture the voices of community storytellers too often unseen and unheard. The creative ethos of the lab is that of collaboration, rather than extraction, in which our filmmakers and local storytellers work together to tell stories of hope, resilience and determination for the common good. Street Reporter was born out of my passion for this approach to filmmaking.
Told over the course of a year, Street Reporter is a deeply intimate journey into Sheila White’s life as she refuses to allow housing insecurity to define her future. The film is decidedly participatory, incorporating our subjects’ self-filmed footage and involving our subjects throughout the planning, production and outreach phases for the film. Our goal is to inspire broad conversations on the intersection of Covid-19, homelessness and race while highlighting the power of community journalism in America today.
A Collaborative Journey
In early 2019, I partnered with Producer Bryan Bello, a PhD candidate at American University with a passion for citizen journalism. Bryan is the co-founder, along with the film’s subject Reggie Black, of the nation’s first homeless filmmaking cooperative at Street Sense Media in Washington, DC, a renowned street paper written and distributed by people surviving homelessness. For the past six years, the film group has worked to advance public dialogue around D.C. homelessness by infusing the expertise of those who have experienced it into the production of local media and policy. Bryan introduced me to the filmmakers in the co-op, and the team began dreaming of producing a documentary about their work reporting on issues of homelessness and advocating for change. In particular, the group was especially concerned with the rise of DC’s “tent cities.”
Over the course of twelve months, I worked collaboratively with members of the homeless filmmaker’s co-op to film their journeys off the streets and into permanent housing, while also capturing their growth as news reporters and public advocates for housing solutions. In addition to contributing their own cinematography to the film, our film subjects, Reggie and Sheila, are serving as the film’s impact producers. Given their deep relationships with community members and city officials, they plan to use the film’s release to galvanize local, regional and national conversations on homelessness and its disproportionate impact on people of color.
The Street Reporters
Sheila White is a documentary creative, activist, and photo-journalism student at the University of the District of Columbia. Her eight-year experience with homelessness ended in May 2020. A life-long D.C. resident and member of the Homeless Filmmakers Cooperative, White’s work has been published by Street Sense Media, the International Network of Street Papers, Law at the Margins, and DCTV where she has worked as a certified producer. Sheila is an active member of the People for Fairness Coalition, D.C.’s top homeless-run advocacy group, also serves as an Impact Producer for the Street Reporter documentary.
Reginald Black is a journalist, filmmaker, activist, and life-long Washingtonian. His craft is informed by his decade-long experience with homelessness which ended in the fall of 2019. He is a founding member of the nation’s first Homeless Filmmaker’s Cooperative. Reginald is an impact director with the homeless advocacy organization, People for Fairness Coalition and serves as a consumer representative appointed to the D.C. Interagency Council on Homelessness. He also serves as an Impact Producer for this documentary.
The Making of Street Reporter: A Collaborative Documentary Project
By Sheila White
April 2021
I recently had the privilege of working on a documentary film called Street Reporter with reporter Reginald Black. The film follows Reginald and I as we reported on a homeless encampment in the NOMA Bid area here in Washington, DC. I filmed interviews and photographed a man who lived in this encampment named Mike Harris, and my media became a part of the film. The interesting thing about Mike is that he is paralyzed and must use a wheelchair while sleeping in a tent under a bridge. His story about how hard it was to go to the restroom, shower, and eat a well-balanced meal was challenging. Mike has been homeless for many years. His story was one of many people living in this encampment. Many of them are suffering from mental illness, substance abuse or economic issues. These are just a few barriers a homeless person faces every day. Thankfully, Mike has since moved into his new apartment.
Having a Voice
Being a journalist means a lot to me. I am a living witness to the truth about homelessness due to my personal experience with homelessness. I am still living through the process. As such, community journalism is very important to me. The community needs to know what is going on in each neighborhood when it comes to this issue. We must educate ourselves and then let our government officials know that this is unacceptable.
Collaborative Filmmaking
My experience working with the collaborative filmmaking team (Laura, Bryan, and Kasey) gave me the opportunity to share my story about being homeless. I also got the chance to film and photograph other people. The hands-on experience taught me a lot about filming, photography, editing and recording. I am new at being a photojournalist, but I am excited to learn all about it. In particular, I have learned how to be patient with others and let them tell their story no matter how hard it is to hear. Learning how to properly use a camera is so much fun for me. My toughest challenge was editing. I have not quite mastered this skill yet, but I will soon. A good journalist goes after stories that may be sensitive to others, but the story must be told. The best part about journalism for me is I get to tell someone else’s story. These stories about homelessness need to be told every day until we can bring an end to homelessness.
Street Sense
My passion for photojournalism came from working with Street Sense, a newspaper that publishes articles written by members from the homeless community in DC. Street Sense offers educational workshops such as writer’s groups and courses in photography, filmmaking, illustration, editing, and much more.
My experience with homelessness
Being homeless for seven years was a sad time in my life. Living on the street for three years, not knowing where I could find a safe place to sleep, eat or even shower was challenging. Stores wouldn’t let me use the restroom. Instead, I had to purchase something first. Eating a well balanced meal was hard to come by. Martha’s Table would bring food to us once a day, but by nightfall I was hungry again. There were places to take a shower but they let only around ten people shower per day. Food lines and shower lines are very long. You might have to wait a week or so before your name came up to take a shower.
This experience forced me to move into the women’s shelter. I spent the next four years living in a shelter which came with its own challenges. We had to leave the shelter at 7 am and return at 4 pm. If you didn’t return on time, you would lose your bed. You had to carry your belongings with you all the time. Worst of all, sleeping was extremely difficult at the shelter and the food was awful. We ate the same thing, day after day. While at the shelter, I also started an associate’s degree program at the University of DC. Shelter life while going to school was a major challenge.
In 2020, just as the pandemic hit, I finally received a housing voucher after waiting for nearly eight year. It was a great relief. I now can study in a quiet place, feed myself healthy meals and just relax.
The Challenges to Getting Housing
It is estimated that there are 9,000 homelessness people in the Metropolitan DC area. Most people who are homeless suffer from addiction, depression, and also have eviction notices on their records, or felony records, which stop them from getting housed. The laws need to change so people can obtain housing. Landlords need to give second chances to people with these kinds of problems. I was given the chance because my record was clean, but what about people who lost their homes due to fire, flood or just lost their jobs? It’s expected that homelessness will grow due to the pandemic as related eviction prohibitions expire.
Credits
A film by
Laura Waters Hinson
In association with
Renga Media and Street Sense Media
Featuring
Reginald Black, Sheila White and Michael Harris
Produced by
Bryan Bello and Laura Waters Hinson
Executive Producers
Hilla Medalia, Nancy Schafer, John and Ed Priddy
Original music by
Chanda Dancy
Edited by
Richard Yeagley
Dan Sadowsky
Director of Photography
Kasey Kirby
Richard Yeagley
Impact Producers
Reginald Black
Sheila White
Heather Brumley
Taylor Whittington
Coordinating Producer
Amelia Tyson
Impact Coordinator
Courtland Sutton
Social Media and Digital Coordinator
McKenzie Yoakam
Haley Klezmer
Spencer Trinwith
In partnership with
American University’s Community Voice Lab
Made possible, in part, by HumanitiesDC
And Humanities Truck
About the Community Voice Lab
The Community Voice Lab’s partnership with Street Sense Media aims to connect AU’s film community with the Street Sense filmmaker’s co-op, with the goal of providing Street Sense artists and journalists with media training and resources.
The Community Voice Lab produces documentary films that capture the voices of community storytellers too often unseen and unheard. The creative ethos of Community Voice is that of collaboration, rather than extraction, in which our filmmakers and local storytellers work together to tell stories of hope, resilience and determination for the common good. To learn more click here.